Just how shit is British pub culture for live music?

It's been around six weeks since I've planted my once-nomadic musical roots firmly down in the warm and sun soaked soils of Lisbon. Still very much a learner of the language and culture, and in spite of being weighed down by the gastronomical demands of endless plates of grilled sardines and cod fish, I have been busy making some inroads to this new musical scene.

The Portuguese have a very different attitude to live music to that which I have previously experienced in the UK; in many ways this can be attributed to the culture and the weather - which allows warm lazy evenings to unwind slowly into the early hours of the morning - something the British climate outright denies us. Here the live music events often don't even begin till eleven in the evening and run on till the early hours, but the most note-worthy difference is the attitude of the audiences, who seems to receive live music with an unbridled enthusiasm and outright lack of cynicism so often seen in the British pubs.

Here in Lisbon the venues are often filled with seated punters, who've all come to the bar specifically to see live music, and have often paid to do so with many bars employing a minimum spend-per-head policy. Their attention is often firmly focused on the performance and musicians and all songs are greeted with a sincere, heartfelt gratitude and applause (regardless of the standard sometimes) and by the end of the concert most will be on their feet dancing and singing along enthusiastically.

I can't help but feel Britain could have much to learn about the way live music events are run here, but also can't help but worry that the ingrained pub-culture and natural cynicism of home may prove to be a barrier to this kind of free, easy and sociable fun that surrounds live music here. It may take a generation at least to change some British attitudes, where often even the best local musicians are treated as a "nuisance" by the pub-goers, and in many cases the fact there is paid live music at all almost feels like a kind of "charity" from the landlords - who often see the effect that live music actually drives their regulars away and there till takes downwards.

Trying to put a finger on the reasons for this seems difficult, but is it a case that many Brits are unable to truly see the value of and embrace something unless it has been given a thorough endorsement from an entire peer group, various media outlets and slapped with an expensive price tag? For example in late 2013 I recall going to see an unknown George Ezra in Truro playing to an almost empty venue on a shared bill with local musicians for free. He was superb. It was a well promoted show locally and George was already gaining a good reputation as a star of tomorrow... It meant nothing ultimately. Fast forward two years and George returned to Truro - this time at the much larger Hall For Cornwall venue - along with an expensive ticket price; of course it was a sell-out...

There are quality musicians and live performers playing around you every night of the week. Some of them could be the stars of tomorrow and you can go see them - often doing the exact same act - entirely for free just by opening your eyes and lowering your preconceptions. As I've seen here in Lisbon these local performances are to be treasured and can do so much to raise the standard of life in the community - how can a quiet night in the pub getting drunk really offer a viable alternative? It isn't money or cost - because most live music events are free or have entry prices that are less than a cup of coffee, let alone an alcoholic drink. For Christ-sakes, go and enjoy yourselves.

An Englishman in Lisbon singing songs to celebrate American Independence...

The ball is now finally starting to roll in my quest to find some regular gigs in Lisbon. An afternoon spent exploring the town centre for likely venues and opportunities bore some slightly unpredictable fruit when I found a rather trendy little "English bar" - The George, on Rua Da Crucifix in Baixa...

Upon walking into the venue and pleasantly finding an opportunity to enjoy some genuine English beer for the first time in six weeks - London Pride on draught (get in!!), I sat down among the complimentary peanuts, union jacks, London tube signs and other homely decor to wait to speak to someone of authority in order to hassle (politely) for a gig. 

A rather important looking chappie in a tidy suit, making what seemed like a never ending phone call, looked a likely candidate, and upon noticing his concentration would only break for a fleeting second to glare menacingly at the Portuguese girls on the bar, I concluded this must be one of the managers, or perhaps even the owner. 

Indeed, after merely two half-pints of the lovely London Pride (forgive-ably chilled on such a hot day), his phone call ended and I was able to confirm that he was indeed a man of appropriate authority and I launched into my sales pitch...

...He must've had a cancellation or something, because within a minute he had opened his events diary and was booking me in - in flawless English - for next coming Saturday, which happened to be July 4th, and completely in-line with what you'd expect from an 'English' pub, I had agree to do a two hour set in celebration of Independence Day! Oh, the irony...    

To save my sanity, national pride and considerable set-list constraints, I managed to re-brand this "American" theme into a musical recreation of the War of Independence (at least giving us Brits a fair chance of a different outcome) and offered to pitch the best of theirs vs. the best of ours on the musical battlefield. And so here it is, my latest Lisbon gig, along with the accompanying promotional blurb...

"Two musical national powerhouses, who have provided the world with some of the greatest songs of all time, go head to head to re-draw the world's musical map.

To celebrate the anniversary of Independence Day, Trevor Hambidge Music will be pitching classic songs from classic artists on either side of the Atlantic against each other in a 2 hour musical battle...

Elvis Presley, Johnny Cash, Bob Dylan, Nirvana, Green Day and more will be hoping to tread on the faces of such noble, plucky British musical upstarts as The Beatles, Arctic Monkey, The Kinks, Oasis and other imperial pretenders...

Which side are you on?

The battle commences at 21:30 at The George Pub, Lisbon... be sure to be there!"

It's good what you can do with a little positive spin...

A slice of Beuton pie. #1

Hello chumbalinas,

We’re very excited to announce that our new EP will be unsheathed and set free on March 1st. It’ll be available on a limited edition CD (available now to pre-order via our website) and as a digital download via iTunes, Amazon and streaming services such as Spotify, Deezer and Last.fm the like. One will even be able to put us on in the pub (providing they have one of them fancy internet search jukeboxes) if one so desires!

We spent a rather sleepy, but delightful and productive few days in December recording the tracks with top producer John Cornfield, who’s worked with Oasis, Muse, Supergrass, Razorlight and many other top bands. John’s really captured our live sound and we’re all dead chuffed with it (even Dan). As you can see from this photo, we had a relaxing and peaceful time in the studio.

The EP is called “I Wasn’t Asked and I Don’t Want It” and contains four-tracks what we wrote ourselves. Here is the cover artwork painstakingly drawn into her etch-a-sketch by our friend Paige Gibson…

With the recording out of the way, Daniel jetted off to Bali to source some ‘sweatshop cheap’ t-shirts and mingle with the local wildlife, leaving the rest of us to book a shed load of gigs, decipher copyright law, uncover distribution options, annoy everyone with spam and fix the van. Big dollops of sincerest thanks to all who’ve helped us create and promote this EP by playing it on their podcasts and radio stations, sharing the shit out of it on social networks and agreeing to come play gigs with us!



Dan returns to Cornwall this weekend – just in time to start intensive rehearsals for the EP Launch gig at B-Side@Bunters on Friday 1st March. As a thank you to everyone who’s supported us this past year or so we’re giving the first 50 people who turn up a free copy of the new EP on CD. If that’s not reason enough to be there early, we’ve lined up a fantastic bill of local musicians (we like having someone to watch too!) with Charlie Carroll and his killer looping talents, and then Tom Gall and his band and his amazing songs.

That’s enough for now, we’ll be back soon with news of our “Up The Wrexham” tour in April amongst other, no doubt irreverent, things.

The Beutons xx